The movies of this generation are usually more cinematic than the movies of the past, but this year, the studios are trying something different.
In a new feature called “The Movies Are Getting More Freeformed,” Bleacher report’s Jeff Zillgitt examines the phenomenon.
The new video is just a taste of what’s to come, but you can see the full piece here.
In its most basic form, Zillgard shows the rise of streaming movies and how these services are reshaping the way audiences consume content.
You can see that the trend has already begun, with many of the biggest studios releasing movies via streaming platforms like Netflix and Amazon Prime.
But while this has already become a trend, it is happening more quickly than ever before.
We’ve seen a shift from the traditional distribution model of traditional theatrical releases, which rely on a studio to get the film into theaters.
These new platforms allow filmmakers to reach audiences through their own content.
For instance, Disney recently announced a slate of films including Frozen and The Lion King.
These films have been produced by a studio, not a distribution company.
Now, these films can be distributed through these platforms, allowing the filmmakers to distribute them on their own terms.
As a result, the traditional studio model is no longer a valid model for distributing films.
The studios are shifting to a freeform model where audiences can choose what films they want to see.
These movies are getting more freeform in the age of Netflix, which has helped make these platforms such a lucrative business.
Nowhere has this trend been more apparent than with the release of new animated series.
Disney has released its animated films with Pixar and Pixar Animation Studios, as well as the Pixar film The Good Dinosaur and the Disney Channel series Aladdin.
With the new wave of movies from these studios, the film industry is going full circle.
This is the way it should be, Zilgitt argues, and it’s an example of the studios embracing the new freeform trend.
The shift is happening across genres, as the film studios are focusing on what’s new and exciting for audiences.
As the industry evolves, this trend will continue.
But what does this mean for the studios?
The studios have been making movies for decades, and this is just the beginning.
With these new platforms, they can release movies in a wide variety of formats.
If they want the films to reach a wider audience, they’re going to have to adapt.
They’re going and they’re changing, and they will adapt.
This will help them retain audiences, as it’s likely they’ll retain a much wider audience.
As an example, Zellgitt points to a film called The Grand Budapest Hotel, which was released by Disney and Pixar in 2017.
The film is a reimagining of the classic 1939 Hungarian movie The Grand Hotel.
It stars Jake Gyllenhaal as a young man who falls in love with a woman in the town of Lemberg.
When he is offered a job in the hotel, the two of them move in together.
The films adaptation of the film was critically acclaimed and received a lot of attention, earning it a Golden Globe nomination.
But the film did not meet expectations, and the studio was concerned it might not be a success.
Zelllgard explains how the studio has made a decision to adapt the film to the new platforms.
Instead of making the film a remake, they decided to adapt it as a new Disney-Pixar movie.
They then went back and worked on a new version that they were more excited about.
Now the film is coming to theaters in 2018.
That’s a lot different than the first time it was released.
When it came out, it was a classic.
But now it’s a little bit different.
The big difference is that the studio didn’t make a film that would be a classic, but rather something that would really resonate with a wider demographic.
The Grand Tour is a new movie from the studio that features an animated short from Pixar and the animation from a film by John Lasseter.
The short is set in a world where everyone is in a car.
People are traveling by car.
They use their phones to see each other, and people are trying to survive.
The story takes place in a very different way than The Grand Cafe, a film from Disney and Sony Pictures that was released earlier this year.
That film stars the voice of Donald Sutherland as the titular character, and is a celebration of the Disney brand.
It was received very well by critics and fans alike.
The next film in the series is about a robot named Baxter.
He has to rescue a girl from a robot.
The first film, The Lion Guard, was released in 2013.
It follows a robot who is a lion guarding a city.
The lion guards the city, but a robot gets in his way.
The Lion Guards’ robot can’t protect the city anymore, so the robot has to defend the